Word of the day
In the theoretical analysis of music, Roman Numerals are employed to indicate the chord within the tonality of the composition. The Roman Numerals are placed under the staff inline with the chord in question. In the Tertian Harmonic System of Western Music (harmony based on thirds), chord symbols represent the first, third, and fifth notes of the tonality. The one (I) chord always represents the tonality of the composition.
In C major, a progression of I - IV - V7 - I would be the following notes:
| I |
= |
C - E - G
|
| IV |
= |
F - A - C
|
| V7 |
= |
G - B - D - F (notice that here is added the 7th note of the scale) |
| I |
= |
C - E - G |
Table of Roman Numerals
|
Major Numerals
|
Minor Numerals
|
|
I
|
tonic |
|
II
|
supertonic |
|
III
|
mediant |
|
IV
|
subdominant |
|
V
|
dominant |
|
VI
|
submediant / superdominant |
|
VII
|
leading note / subtonic |
|
|
i
|
tonic |
|
ii
|
supertonic |
|
iii
|
mediant |
|
iv
|
subdominant |
|
v
|
dominant |
|
vi
|
submediant / superdominant |
|
vii
|
leading note / subtonic |
|
