Terms - D
D
D double flat
D double sharp
D flat
D sharp
D.C.
D.S.
da capo
da capo aria
da ruan
dachtyl
dal segno
dampen
damper
damper pedal
dämpfen
dance
dance band
danse
danza
darabukka
dash
davantage
de la pointe
dead note
decani
decay
deceptive cadence
decibel
decima
decisivo
Decke
declamation
decr.
decresc.
decrescendo
degree
demi
demi-pause
demi-soupir
demie
demisemiquaver
demisemiquaver rest
deploration
Des
descant
descant recorder
descant viol
Deses
dessus
destra
destro
détaché
detached staccato
determinato
deutlich getrennt
deux
development
Dezime
Di
di molto
di più
di sopra
Diabolus in musica
Diamond Record
diatonic
diatonico
diatonique
diatonisch
dice music
diddle rudiments
didgeridoo
didjeridu
Dies irae
dièse
diesis
difference tone
dim.
dimin.
diminished
diminished chord
diminished interval
diminué
diminuendo
diminuito
diminution
diminuzione
direct
direct motion
dirge
Dis
discant
discantus
disco
discord
Disis
disjunct
Diskantschlüssel
dispersed harmony
dissonance
dissonant counterpoint
Dissonanz
dissonanza
dithyramb
div.
divert.
divertimento
divertissement
divided
divided accompaniment
divise
divisi
division
division viol
diviso
divisorias
Dixieland jazz
dixieme
djembe
Do
Do bémol
Do bemol
Do bemolle
Do dièse
Do diesis
Do doble bemol
Do doble sostenido
Do doppio bemolle
Do doppio diesis
Do double bémol
Do double dièse
Do sostenido
doble barra
doble barra final
doble bemol
doble redonda
doble sostenido
doctrine of the affections
dodecaphonic
dogfight
dolce
dolcemente
Dolcian
dolciano
dolcissimo
dolente
doloroso
dominant
dominant chord
dominant harmony
Dona nobis pacem
dong xiao
Donna
dopo
doppel
Doppel-Be
Doppelganze
Doppelganze Pause
Doppelganzenote
Doppelgriffe
Doppelkreuz
Doppelrohrblatt
Doppelstrich
doppelt
Doppeltaktstrich
Doppelzunge
doppia barra
doppia corda
doppia stanghetta
doppio
doppio bemolle
doppio diesis
doppio movimento
dorian
dot
dotted note
dotted rhythms
double
double bar
double barline
double barre
double bass
double bass clarinet
double bassoon
double bémol
double corde
double counterpoint
double dièse
double drag tap
double exposition
double flat
double fugue
double natural
double note
double paradiddle
double quartet
double ratamacue
double reed
double sharp
double stem
double stop
double stroke open roll
double stroke open roll rudiments
double tonguing
double treble clef
double whole note
double whole rest
double-croche
double-pause
double-ronde
doubling
doucement
down-bow
downbeat
doxology
drag
drag paradiddle #1
drag Paradiddle #2
drag rudiments
dramatic soprano
dramma giocoso
dramma per musica
Drill Call
driving
droite
drone
drum
Drum and Bugle Corps
drum cadence
Drum Corps
drum head
drum kit
drum machine
drum major
drum rudiment
drum set
drumming
drumstick
du signe
du talon
duct flute
Dudelsack
due corde
due pedali
duet
dulcian
dulcimer
Dulzian
dumka
dump
dumpe
duo
duo sonata
duple meter
duplet
duplex long
duplication
duplum
Dur
duration
Durchkomponiert
dux, comes
dynamic contrast
dynamic mark
dynamics
drum rudiment
[English]
BASIC DEFINITION:
Drum rudiments are the basic tools of the drummer. They are the accepted standard in the performance of the basic rhythmic patterns that comprise many of the rhythmic patterns found in the common compositions in Western music. Rudiments are used as exercises for performers to practice and hone their technical skills. All rudiments have very specific sticking patterns, or the order in which sticks (right-hand or left-hand) are used to strike the drum. For example, the multiple bounce roll (Long Roll) has a pattern of two strokes of the left stick (L) followed by two strokes of the right stick (R), repeated over and over (LLRR, LLRR or Left Left Right Right, Left Left Right Right, etc.). Typically in the performance of rudiments, the pattern is started slowly (or open) in strict rhythm and then is gradually sped up to where the patterns become very fast (close) and then gradually slowed to the original starting speed (or open). Rudiments were often named after their sound, which accounts for some of the odd names.
HISTORY:
Rudiments have a rich history that is tied directly to the development of the snare drum, known earlier as a side drum or military drum. The Swiss were the first to clearly document the use drums to signal troops in battle. The Battle of Sempach in 1386 was the first recorded use of fifes and as signals by the Swiss in a military campaign. By the early 15th century, many elite Swiss fighting forces were employed throughout Western Europe as mercenaries. Their signals and marches using drum & fifes were quickly adopted for use in other European countries. Baron Friedrich von Stuben, working for the Continental Congress in Philadelphia in 1778, wrote "Regulations" which specified drum signals for the Revolutionary Troops.
The first use of the term rudiment was by Charles Stewart Ashworth. He used the term to classify a group of drum patterns, thus establishing himself as the father of rudimental drumming. In 1812, he published his drumming manual, "A New, Useful and Complete System of Drum-Beating." In 1869, another book containing drum rudiments, "Strube Drum and Fife Instructor," was published by the National Guard of the New England States. By the 1880's, John Philip Sousa, Director of the U.S. Marine Band, wrote a manual of instruction called "A Book of Instruction for the Field-Trumpet and Drum." This book became the guide for military drummers in all branches of the armed services and had also a wide civic distribution because it contained a collection of drum rudiments. After the turn of the century, Sanford (Gus) Moeller's book, "The Moeller Book," published by The Ludwig Drum Company in 1918, helped to renew an interest in rudimental drumming.
It was about this time that the American Legion began organizing national contests for Drum and Bugle Corps, but there were problems with these competitions because of the differences between the rudiments published over the past century. Spearheaded by the American Legion and the Ludwig Drum Company, the most influential drum instructors from across the country came together at the American Legion National Convention in Chicago and created a set of 26 rudiments. This also led to the creation of the organization NARD (National Association of Rudimental Drummers) in 1932. Membership in NARD required a performance test on the 13 essential rudiments. The 13 additional rudiments of the 26 were not required to be performed.
Today there are 40 recognized drum rudiments broken into four categories: I - Roll Rudiments (17 rudiments); II - Diddle Rudiments (4 rudiments); III - Flam Rudiments (12 rudiments); and IV - Drag Rudiments (10 rudiments). NARD dissolved in 1978 leaving PAS (The Percussive Arts Society) to be the remaining advocate for rudimental drumming.
Aside from the 40 standard rudiments, there are a growing number of rudiments that are used in conjunction with Drum and Bugle Corps competitions. These rudiments tend to be combined patterns and some of more complex rhythms used in drum cadences unique to Drum and Bugle Corps.
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Last Updated: 2016-05-24 00:18:12